Showing posts with label Interviews. Show all posts
Showing posts with label Interviews. Show all posts

Tuesday, March 26, 2013

Close Up with Artist and Teacher Wanda Grein



Tell us a little about yourself and what you do.
Hi Everyone. My name is Wanda Grein and I am an Art Consultant in my own business. My background is teaching, 35 years and counting! I teach three days per week in my Art Studio where I conduct art classes for 87 students ranging in ages from 5 to 75 years of age. I teach all of the arts not just painting!

I also do contract work for various schools across Sydney and the Illawarra where community art projects are required. Behind the work scene I am also an artist where I paint commissions for various groups, and I am just starting to become a bit ‘famous’! I will be showing my artwork in my own very first Art Exhibition in August this year. What a wonderful opportunity this is for me.

I also read Tarot cards and participate in various Psychic Festivals such as the Mind Body Spirit Festival.When I have time I also teach the Art of Tarot on the weekends.

I am a mother who enjoys family life, spending time with my very cute granddaughter, and watching my adult children become wonderful awesome people.  I am so lucky to have a husband who is supportive of my work both as an artist and businesswoman.

Fantasia Inca

Who (or what) inspires you to do what you love in your own creative business?
I have always loved ART. As a child I was always drawing, colouring, painting! Art is in my nature! It is who I am! I am an intuitive artist, so anything inspirational on a spiritual level is inspiring.
I am inspired by the fact that ART is an invisible doorway for those who seek healing, stillness and personal self-expression. I see myself as a conduit through the art forms for those who seek to know their true selves, and gain an understanding of self through their own ART making. This is what inspires me.

Where do you get your inspiration from when you design/paint?
There are so many things that inspire me to paint or sculpt. I like to paint spiritual images, and what helps me is the ability to use my imagination to capture an idea and express it in many meaningful different ways. My artwork reflects my inner desire to see a peace filled world of an interfaith perspective. Before I paint, I have a general idea/ plan about what Id like to paint, and then when I am in the process of painting more ideas about colours and images to include come through. I surprise myself how a painting turns out. Last year the monks at the Buddhist Temple where so impressed with my interpretation of Buddha, that they have commissioned me to paint images for the Buddhist University! This is very exciting for me, and especially so that I am Christian not Buddhist. You may ask me why I paint Buddha, and the answer is I love the energy of painting Buddha. It gives me great satisfaction.

my granddaughter and myself 
called'easter tree

I follow my intuition all the time even when I am consulting for big Art projects. I listen to the clients about what they would like to see on the walls or gardens, and I ask them questions about what they would like to include in the artwork. Images and styles will come flooding through my mind and the I see the whole design! I quickly draw it so I do not forget.

What are the five words that people who know you would use to describe you?
Over the years I know past clients and bosses have stated this about me and my work: Inspirational, motivating, enthusiastic, open, accepting, free spirit.

Tell us about your very first job and what path have you taken since then?
My very first job was working in a Delicatessen when I was 13 years old. I used to mop the floors.I thought one day I am going to sell the lovely cold meats and cheeses that was my goal! The first item I sold was a kilo of pork sausages!

Silent Buddha

By the time I was 16 years old, I was running the business while the boss went on holidays! I became a teacher and moved into the ARTS very soon after. I also have a Masters Degree in Applied Sciences and I studied Art Therapy. As an educator I saw the importance of the Arts as a vital component to children’s development. They lead happier lives and there is depth and tenderness in their character because they have been taught through the ARTS (including dance drama & music) to express themselves without fear. They gain confidence in how to relate to others, and understand themselves better. When I left full time teaching, I worked as an Art Specialist running Arts workshops for Teachers/Artistic Retreats/Spirituality Days for Staff Development days for various schools and Various Hopsital staffs. I have worked part time as a Visual Arts sessional lecturer/tutor at various Universities, and along with a colleague, I co-authored some Arts oriented Educational curriculum documents. I am involved annually in the judging and coordination of specific Children’s art exhibitions, and I have organised several other exhibitions for schools and small community groups.

Describe a typical day in your studio space?
My day begins with me making my very famous Balinese Ginger tea, which I steep to infuse the flavours of the ginger, mint and lime. My adult clients just love it! This is for morning tea.

In the studio

Then I go down stairs to the Studio to do some clearing of the creative space. This includes always having fresh flowers next to a beautiful statue of Buddha, and burning incense. I check that all equipment is prepared on the tables, steam clean the floor, and have the artworks ready in the studio on easels. Finally, I set an intention for a perfect day. I light scented candles around the studio space, and turn on the CD player with some calming music. The adult students arrive around 10am, and I will be on my feet until 1pm After they have left, I prepare for the afternoon class at 3:30pm.This will include cleaning brushes, emptying dirty water bucket, sweeping floor, and the washing up from morning tea. I eat my lunch, and then if I do not have any business to attend to, I will spend a few hours ( if I am lucky) painting for my exhibition. At 3pm I make cordial and prepare afternoon tea for my younger students as some of them come to art class straight from school and they need a carb hit! At 4:45pm my husband comes down with ice creams for the kids. This is their time to stop painting, and have an artistic conversation with each other about their artworks. I finish at around 6pm and I have tidied the studio space ready for the next day!

As an Artist, what is your biggest frustration?
My biggest frustration at the moment is finding the time to paint for myself. I need to restructure a discipline where my painting time is important. I am learning this skill, and I realise I need to be dedicated to it. As an artist, I also need to spend quiet time away from the studio, to defrag if you like, to renew my energies.

Simply Buddha
Tell us about how you prioritise your work.
As a businesswoman of an Art Studio, and art consultant I am constantly prioritising my work. I am learning to network with other business people to see how they organise their books, finances, organise their mail outs and so on. One thing I do, as a number one rule is that every call I get to the Art Studio is a potential client. I always return calls and emails. My business acumen is a ‘a work in progress’. 

Can you please tell us about how do you connect with other artists, and your customers (i.e. how do you network)?
I connect with people in different ways and I find people come to art classes for so many different reasons. I find that some of my adult students are stuck in thinking that their artwork must be ‘perfect’. I find the idea of ‘perfect’ interferes with creativity. So I suggest to them to explore and play with the paint! That changes everything!

I start where the client wants to start.
Everyone is on his or her own individual program.
I keep my clients informed about the Art Studio and events via a printed newsletter and emails.
I keep in contact with other artists through other art exhibitions. I am just getting to know some of the artists in the Illawarra.

St Francis Xavier Mosaic

What advice can you offer other creative people who are just starting out and following their passions?
To me the most important advice I would give someone who wants to follow his or her passions is to ‘just do it’. There is no time than the ‘present moment’. We live in a world of financial security and there is fear of ‘not having enough’. I have been there, watching my pennies as a single mum. But I always got by. Always.

In 2008 after a health scare ( what was Spirit trying to tell me???) I stopped working full time to follow my dream of having my own art studio and teaching Art how I wanted to. We moved from Sydney to Kiama, and thought we’ll give it one year to see how it all goes, and we have not ever looked back. It was meant to be! We are certainly not rich financially but we are rich with where we live in beautiful Kiama, I love living by the sea. I have a gorgeous Art Studio. My art students are just wonderful, and I feel we are truly blessed. So Why wait? What are you waiting for?

What dreams do you still want to achieve or fulfil in your life?
It has always been my dream to have my own Art studio, tick! My next dream is to open a retail art supply shop so my students and other artists can have easy access to supplies. I am slowly working towards this.
 My ultimate dream would be to teach art to communities in  third world countries. That would be a gift!

 Universal Buddha
What is your proudest moment so far?
I have had so many proud moments in my life. But my proudest moment was when in 2004 I conducted a State wide Children’s Peacelink Project, where 33,000 children stopped at 12 noon with their teachers, and meditated and prayed for World Peace for 10 minutes. I was very kindly acknowledged by Mr Nelson Mandela (Via Email from South Africa) and his Holiness the Dalai Lama (through his contact in Canberra) who both endorsed and supported the project! Mr James Twyman (World Peace Troubadour, musician and author of book ‘Emissary of Light’), the Director of Catholic Schools Brother Kelvin, and the Archbishop of Sydney, Archbishop Pell, also endorsed the project. It was a fabulous!

Who do you most want to meet and why?
I would love to shake hands with Mr Nelson Mandela. For me he epitomises ‘Peace’. He is a living example of the ‘Buddha’ in us all who we can aspire to be. I have met the Dalai Lama, and that was wonderful to be in his space even if it was for a few minutes.

What is the most important lesson in life that you have learned?
Wow!  this is a powerful question. My greatest lesson in my life was learning to TRUST myself at every level of my being.

 Quan Yin- The goddess of mercy

What book are you reading right now, and do you have a book you would like to recommend?
I tend to read a few books at the same time. I am reading a book on Buddhist teachings  called “ Being Good: Buddhist Ethics for Everyday Life” by Venerable Master Hsing Yun. Venerable Maio Yong at the Buddhist Temple in Berkeley, NSW, kindly gave this book to me.

I am also reading ‘The Magician’s Way’ by William Whitecloud. This is a great book about personal transformation, and recognising the master within. Finally I am reading ‘The 4 Hour Work Week’ by Timothy Ferris, a very informative approach to retirement and living your dream!

A book that I would recommend for a great read is a book called ‘The Monk Who Sold His Ferrari” by Robin Sharma, a fiction story about following your dreams and finding your destiny.

Where do we find you and your products? 
You will find me at ‘The Art Studio @ Kiama’ is in Coachwood Street Kiama. The studio is open Tuesdays through to Thursdays, and on some specific Saturday’s where I run art courses for small groups. 
  • Adult classes are in the mornings from 10am to 12:30pm.
  • Children and teenage art classes run from 3:30pm to 5:30pm.
  • Three hour art classes and small group Saturday Art classes are available upon request.

Mosaics- St Francis, St Chris

I work in Sydney Monday and Fridays as a Mosaic Artist creating mosaics for schools and community spaces.

My artwork exhibition of Buddhist Art will be shown in August 2013 at the Nantien Buddhist Temple in Berkeley. Check the Nan tien Temple Website for further information about this Exhibition. My current artwork ‘ Simply Buddha’ is on Exhibition as of the 29th March through to 10th May for the Buddha’s Birthday Education Project.

I am planning to get a web designer to help me create an awesome website that I can manage myself. Any advise here would be greatly appreciated.

Do you have a Special offer for  ArtSHINE  community?
My special offer to the Art SHINE Community would be the following.
If you are visiting Kiama, you are welcome to come to the Studio and enjoy the first Art lesson for half price.

That’s a savings of $ 12.50. Alternatively, you can have one 30-minute Tarot Reading for $30, a savings of $20.

Finally if the ArtSHINE community that would like artistic consultation for a mural or mosaic, meditation garden or indoor painting, I offer the first artistic consultation half price. That’s a savings of $250.




Tuesday, January 15, 2013

Close Up Interview with Roseline Delu International Feng Shui Master



Tell us a little about yourself and your business?
Hello everyone, my name is Roseline Delu
- I am an international Feng Shui Master, best-selling Author and happy (human?) Being enjoying life
I have chosen to live my truth and turned it into a business beneficial to all.

  • Feng Shui is my passion and it is part of who I am and how I live today. Feng Shui originated in China and regained some popularity the last two decades. It is an ancient art of placement that I chose to make easy to apply and understandable to all. http://www.fengshuisteps.com
  • Another facet of me is that I created 800+ unique vibrational designs that I use during Readings & Counselling sessions available though phone or Skype http://www.fengshuisteps.com/psychic.html


What are the five words that people would use to describe FengShuiSteps.com?
Dynamic – Inspiring- Thought Provoking – Life Changing - Informational

What was the purpose on starting your Feng Shui Steps business and how has the concept come about
As for many of us… situations occur by ‘coincidence’.
The first time I heard about Feng Shui was reading an article in a newspaper that a passenger had left on a train going to London. It captured my interest. Once back home I did a few changes around my home and my life started shifting quickly.
A few weeks, books and a training later… I started my first lectures in Belgium.
I then migrated to Australia where I continued to develop, consult and teach this ancient art of placement adapting it to the Western world – by this I mean that I very seldom use any Chinese items, I favour using what people already own and have in their décor.
Stepping away from Chinese items, made me very different from the usual Feng Shui Consultants; as Feng Shui Master, I demystify and feel the vibration surrounding colours, objects and art, I show Chi (energy) flow inside people’s homes and help them achieving their dreams by moving items, furniture and adapting their décor accordingly. Always with taste and good intents!

What are the most common issues that people who come to see you for advises?
Love – Money – Health – Life Path – Finding their life purpose

Tell us more about your services that you provide to your clients?

  • I share my wisdom and knowledge with my clients and students as well as through my Feng Shui Steps BLOG.
  • I Feng Shui consult for homes, business
  • I train new practitioners, consultants & masters
  • I wrote 3 Feng Shui books that have been translated in different languages.

Even though Feng Shui takes me worldwide for trainings and consultations, I have a lot of contacts through my emails and work online through Skype.

Tell us about your process for working with clients?
Feng Shui can be a life changing experience.


When I walk into your home it reveals your life. Every object has a meaning, where they are placed tell me what is happening with you. The colours, textures and finishes tell their story too.
A consultation with me starts with a good conversation where you tell me what you wish to attain in your life today. Based on this, together we move furniture (when possible) and frames so you can see the result immediately – we can consider this like a Feng Shui Make-over.
Wouldn’t we be able to move anything at the time of the consultation then you write your TO DO list and get onto it with a strong helping and handy hand in the next few days.

What advice can you offer to creative people who are just starting out?

The best advice to start you out today: take a look at the frames displayed in your home.

  • How long ago did you purchase them?
  • Are they still your taste today?
  • How old are the photos of you and/or your family hanging on your walls?
It might be time to update all this.
What we liked and who we were 10 years ago might have changed…
Reflect who you are today.
Food for thought!


Do you have a book that you would like to recommend?
  1. “Your First Easy Steps to Feng Shui” by Roseline Deleu - available as E-book
  2. “Feng Shui Steps for your Career” by Roseline Deleu
  3. CARTOON illustrated guide “Easy Feng Shui Steps” by Roseline Deleu – a UNIQUE and easy to understand!
  4.  
    1. E-book only
  5. A 5 size Printed version
  6. A 4 size Printed Version

Where do we find your services?



Roseline Deleu, Director @ FENG SHUI STEPS
P.O. Box 5155
KINGSTON ACT 2604
Australia

WEBSITE www.fengshuisteps.com
BLOG http://fengshuisteps.wordpress.com/

YouTube channels – RoselineDeleu & FengShuiSteps http://www.youtube.com/user/FengShuiSteps
Facebook in English https://www.facebook.com/roseline.deleu
Facebook in French https://en-gb.facebook.com/roseline.deleu.FRANCAIS

Tuesday, January 8, 2013

Close Up Interview with American Journalist Matt Fleischer



Tell us a little about yourself and what you do.
I’m an American journalist based in Los Angeles whose work has a heavy focus on the issues of politics and social justice. I’ve made a career out of making life miserable for very powerful, very corrupt people—and I wouldn’t have it any other way. For some inexplicable reason, (lack of romantic success in high school perhaps) I’ve always had a chip on my shoulder. Writing and journalism allows me to channel that aggression into something positive. I suspect your readers already know this, but American government is a cesspool of dishonesty, money, and corruption on every level. So there’s plenty to write about.

Who (or what) inspires you to do what you love in your own creative business?Freedom. I’m a freelancer. So the ability to set my own schedule and be as busy as I want to be could not be more ideal. As far as the actual work goes, I also have quite a bit of creative freedom. If the social justice work gets too heavy, I can take off to South America for a month and hopefully dig up some cultural or travel stories there. Basically, whatever it is I’m curious about I have the ability to explore. That is what drew me to, and keeps me in, the field of journalism.

Where do you get your inspiration from when you write?From the world around me. Truth, as the say, is stranger than fiction. More interesting too. 





What are the five words that people who know you would use to describe you?Smart, stubborn, slightly-off, funny (albeit corny at times), argumentative. Basically, I think most of my friends find me interesting but mildly annoying. I can be a pain-in-the-ass. I’m fine with that. I mean well and most people recognize that.

Tell us about your very first job and what path have you taken since then?
My first real job was as a clerk at a law office. I worked there for a year, saving up money in between high school and university. I’d say it was one of the best years of my life—in that it taught me I never wanted to work in an office again. I was set to go to business school until I worked in that office and witnessed a kind of slow-burning misery I vowed to never visit upon myself.  That was when I decided to become a writer at all costs.


Describe a typical day in at work?
Well, I mostly work from home. So the whole cliché about bloggers and writers sitting at home in their underwear largely holds true for me. My brain is at my most productive when I first wake up, so I usually try to do all my serious writing or important interviews as early as possible—before I even get out of bed. I’ll work nonstop in bed from 8 a.m. until a little after noon. Then I finally get up, get myself together, eat, and try to get some fresh air. I’ll usually spend the next few hours doing whatever I feel like—going for a walk, working out, catching a movie, taking a nap--and then get back to work after 3 p.m. I think the Spanish have it right with their siestas. Mid-afternoon is a terrible time for work. Our bodies are naturally predisposed to resting around this time to avoid the mid-day sun. I usually don’t do any writing in the afternoon unless I absolutely have to. I’ll make phone calls to sources and try to dig up stories to work on the following morning when my brain is fresh.


As a journalist, what is your biggest frustration?
At this point in my career I really can’t complain. It tends to be the little things that get on my nerves. The editor who asks for story ideas but never bothers to get back to you with a yes or no answer when you pitch him/her. The person you need to interview who just refuses to call you back. Being a journalist requires an insane amount of due diligence. You constantly have to check and double-check everything. So you kind of have to train yourself to power through problems.



Tell us about how do you connect with other creative professionals, and your clients (i.e. how do you network)?
Being a journalist affords me the opportunity to meet and speak to a lot of really interesting people. If someone is doing interesting work that I admire, I can simply call them up and ask to interview them. Salaries for journalists can often be tragic, but the ability to interact with talented and compelling people is definitely one of the many perks that makes the job worthwhile.


What advice can you offer other creative people who are just starting out and following their passions?
Have a solid plan in place to pay your bills. Everyone has creativity inside them. Getting paid to express that creativity, however, is a pretty difficult thing to manage. The key is to find a balance between jobs that pay well enough to meet your financial needs—even if they’re dull and unsatisfying--and passion projects that may pay very little or nothing at all. If you can manage a 50/50 split I’d say you’re doing pretty well.

What dreams do you still want to achieve or fulfil in your life?
I’d love to write more fiction. As long as you’re a hard worker, writing in the journalistic style is pretty easy. If you’ve done the proper amount of research and interviews, stories practically write themselves. With fiction it’s not like that. You’re inventing a world whole cloth, and the story can go in any direction you want it to. It’s far more challenging. So to finish a novel and actually get it published would definitely be a dream come true.



What is your proudest moment so far?
I had the misfortune of losing several jobs right in a row during the recent global economic collapse. Print media, at least in America, simply imploded in 2008 and will likely never recover. I worked for one paper that laid off half it’s staff, and another that went out of business—all in the span of six months. Some lean years followed, but I’m proud that I was able to rebound and continue doing valuable work despite setbacks that have claimed the careers of many great journalists in recent years.


What is the most important lesson in life that you have learned?
To be honest with myself. Self-esteem is important and so is taking risks. But you have to recognize your weaknesses and admit when you’re over matched or have made a mistake.

What book are you reading right now, and do you have a book you would like to recommend?
I’m reading Tortilla Curtain by T.C. Boyle. It’s a novel about two Los Angeles couples--one a pair of rich liberals, the other a pair of migrant workers from Mexico--whose lives cross in tragic fashion. Despite the fact that I love to travel, I’m very Los Angeles-focused in my intellectual life—even in my free time. I think a lot of people (at least in America) who keep up with the news tend to focus on national and international affairs and ignore what’s happening right around them. Los Angeles is my livelihood and I spend most of my days exploring its depths from every possible angle. It makes me a better reporter and a better citizen.


Where do we find you and your work? (list stores & links, websites )
Here are links to some of my better stories.

Navahoax – LA Weekly
http://www.laweekly.com/2006-01-26/news/navahoax

Children of the Revolutionary – LA Weekly
http://www.laweekly.com/2007-08-23/news/children-of-the-revolutionary/

Policing Revolution – LA Times Magazine
http://www.latimesmagazine.com/2011/04/policing-revolution.html


Finally, a link to my ongoing series on police corruption “Dangerous Jails” – WitnessLA
http://witnessla.com/lasd/2012/admin/dangerous-jails-part-4-internal-affairs-%E2%80%93-by-matt-fleischer/

Tuesday, December 11, 2012

Close Up Interview Highlight for 2012




2012

During the Happy Holiday Break we will highlight the best of  our Close Up interviews from 2012.

In the New Year 2013, we will interview more Artists, Designers and all creative professionals. So tune in in the New Year.

The team at the Quantum Compass-ArtSHINE would like to wish you and your family a happy holiday. It's been a great end to the year, . We wish you all a happy and healthy holiday season.

 
Thank you for all your support and Let’s all look forward to 2013… 


Best Wishes

Vinh Van Lam  & Stuart Horrex

The Best of Close Up Interviews 2012:


Pure Leverage

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